Main Gallery Area Artist

Artists

Keiso Yo

Main Gallery Area

※Photos are for reference only.

※Photos are for reference only.

※Photos are for reference only.

※Photos are for reference only.

Artist Information

楊 珪宋

Keiso Yo

1985 Born in Nagoya
2009 Graduated from Nagoya Zokei Graduate School of Art & Design(master's course), Major in Art & Design Course
2014 “Koganecho Bazaar 2014” hatsune wing D-3 (Yokohama, Japan)
2016 “Identity XII - Memorandum on Sublime -curated by Taro Amano-” nca | nichido contemporary art (Tokyo,Japan)
2018 “GOLD REFLECTION TOWN” 福利社 FreeS Art Space (Taipei,Taiwan)

I’m interested in the primitive phenomenon of life and its activities, and by enjoying various discoveries, I have incorporated that image into my work.Because I felt a strong connection with the plants living near me, I made plants and humans my subject, overlay common forms of them with things like the fate of life, and began creating this work.Through these pieces, I want to explore the identity of life as a whole, and really experience coexistence.

Selector

Makiko Hara

Independent Curator

[Comment by Selector]

         

Keiso Yo, who creates unique artwork using ceramics, produced many pieces at a small studio named Tenjiku-Dai-Kobo in Koganecho, Yokohama, for three and a half years beginning in 2014. In recent years, this up-and-coming artist has been energetically exhibiting her work, in a solo exhibition at the Yokohama Civic Art Gallery Azamino Showcase Gallery, at Koganecho Bazaar, and a group exhibition in Taipei. Ceramics shaped like hearts and brains, meticulously painted in primary colors, feet twisted by foot-binding, Jomon pottery and flower vases decorated with female clay figurines—Yo’s work, with its motifs of internal organs and the body, burned into the back of your mind once you see it, contains the inevitability of confronting the fluctuation of her identity as an ethnic Chinese person living in Japan, and her anxieties and fears. At the same time, it is humorous pop art, and emits a unique energy. In recent years, she has moved from the physical theme to explore the foundation of life, with living things like weeds as motifs. At the 2018 Koganecho Bazaar, she attempted an installation using those motifs in her own way to interact with the area, creating a poetic, beautiful space. She is an artist whose future activities cannot be missed.