Artist Selectors
Artist
Selector
Hitoshi Dehara
Curator, Hyogo Prefectural Museum of Art
Selected Artists
Born in 1958. After completing master course in Hiroshima University in 1986 he started to work in the preparatory office for Hiroshima City Museum of Contemporary Art, which opened in1989. Working there as a curator more than ten years, he transferred to Hyogo Prefectural Museum of Art in 2007. He was in charge of a number of exhibitions featuring contemporary Japanese artists such as Shinohara Ushio (1992), Toya Shigeo (1995), Suga Kishio (1997), Yanagi Yukinori (2000), Yokoo Tadanori (2002 and 2014), Kusama Yayoi (2005), Enoki Chu (2011) and Funakoshi Katsura (2015). He also organized other exhibitions including “After Hiroshima” (1995), “Soil and Earth” (1997), “New Phases in Contemporary Painting” (2012) and “1945±5” (2016).



I was asked to recommend up-and-coming artists active around the Kansai area who have not been introduced in Tokyo. However, due to my age, artists I am familiar with are not necessarily “up-and-coming,” and therefore I decided to emphasize, to an extent, artists’ track records, which would ensure the quality of their works. Also, with things in Japan being overconcentrated in Tokyo, it was difficult to find artists who had not yet presented their artwork there. For this reason, I adopted a looser condition: artists who do not have a gallery in the Tokyo area that handles their artwork. I chose artists with who I have mutually trusting relationships, having seen several of their works and directly talked with them. At art fairs, where a great number of works are to be found, one must try as much as possible to have works receive attention. There is a need to find artists who are highly appealing due to the strength and uniqueness of their art. I personally am interested in form, and tend to attach particular importance to method. Therefore, in the end I recommended artists who stand out in this regard. Of course, this is only my preference, and these artists continually go beyond it. Perhaps these parts are the most appealing.