Main Gallery Area Artist

Artists

Atsuko Mochida

Main Gallery Area

The further you go, you may fall or you may learn

Photo by Luis Joa

※Photos are for reference only.

THE REVOLVING HOUSE OF T.

Photo by Ryuichi Taniura

※Photos are for reference only.

Artist Information

持田 敦子

Atsuko Mochida

1989 Born in Tokyo
2018 Graduated from Tokyo University of the Arts, MFA Intermedia Art Course / Bauhaus-University Weimar, MFA Public Art and New Artistic Strategies
2017 “Desintegriert Euch!” Maxim Gorki Theater, 3.BERLINER HERBSTSALON (Berlin, Germany)
2018 “YOUNG TALENT PROGRAMME 2018/19” Affordable Art Fair (Singapore)
2018 “Documentation of THE REVOLVING HOUSE OF T.” Salon de Printemps Prize from Tokyo University of the Arts (Tokyo, Japan)
2018 “Going Away Closer” Centro de Arte Contemporaneo Wifredo Lam (Havana, Cuba)
2018 “Art Award Tokyo Marunouchi 2018” Jury's Award from Prof. Yusaku Imamura, Gyoko Chika Gallery, (Tokyo, Japan)

Atsuko Mochida’s work breaks with physical boundaries – it turns the space we perceive in daily situation into something threatening, compelling, into a new level of subconscious behavior. Invading both private and public space she is able to translate everyday feelings into physical objects and installations. Her work also refers to ones struggles to adapt to social and structural changes in contemporary life: the question of identity and role in today's world provoked through social and academic educational structures.Entering one of Mochida’s installations can evoke a feeling as if entering a dreamlike state or as if you took a sudden sidetrack while drifting through thoughts. Or to quote Haruki Murakami: Memories warm you up from the inside. But they also tear you apart. (Stefan Klein, 2015)

Selector

Yoshitaka Mouri

Sociologist, Professor at Graduate School of Global Arts, Tokyo University of the Arts

[Comment by Selector]

         

Mochida Atsuko is a radical artist in an essential sense; she makes us realize that the spatial and material foundation on which one stands is actually temporary and fluid. In her site-specific work “The Revolving House of T.,” she boldly modified an old Japanese-style house in Mito and instantaneously reversed relationships, such as those between the inside and outside of space, public and private, and architecture and artwork. How will the space of an art fair be transformed in her hands?