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折紙鉱物シリーズ（アダム鉱）Origami mineral(ADAMITE)
折紙鉱物シリーズ（デュモルチ石）Origami mineral(DUMORTIERITE)
折紙鉱物シリーズ（ばら輝石）Origami mineral(RHODONITE)
折紙鉱物シリーズ（鉄電気石）SCHORL
折紙鉱物シリーズ（磁硫鉄鉱）Origami mineral(PYRRHOTITE)
折紙鉱物シリーズ（亜砒藍鉄鉱）Origami mineral(PARASYMPLESITE)
八塔寺の黒アゲハBlack Swallowtail at Hattoji Temple
ドクターヘリDoctor helicopter
山小屋にてAt the mountain hut
折紙鉱物シリーズ（ソーダ沸石）Origami mineral(NATROLITE)
折紙鉱物シリーズ（ローズクォーツ）Origami mineral(ROZE QUARZ)
折紙鉱物シリーズ（燐銅ウラン石）Origami mineral(TORBERNITE)
折紙鉱物シリーズ（ダンブリ石）Origami mineral(DANBURITE)
折紙鉱物シリーズ（銅藍）Origami mineral(COVELLITE)
岡山駅Okayama Station
夕暮れの親子Family in evening
「「自死」「慰霊」をテーマに創作を続ける。大学院修了後、学生時代の友人と名古屋で映像制作会社を起業。2013年に代表取締役を辞任し上京、作家活動を開始。ゲンロンカオス*ラウンジ新芸術校の第一期生として学んでいた2015年に、交通事故後で心身のバランスを崩していた母親が自死。出棺前に「金環を持った鳥のモチーフ」が浮かび、以後多くの作品で繰り返し登場する彼の表現の核となった。2018年に第21回岡本太郎現代芸術賞で敏子賞を受賞。あいちトリエンナーレでは鹿沼クレーン事故を題材に『輝けるこども』を発表。」
「Continue to create under the theme of “self-death” and “comfort”. After graduating from graduate school, started a video production company in Nagoya with a friend from his student days. In 2013, resigned as representative director and moved to Tokyo to start writer activities. In 2015, when she was studying as the first generation of Genron Chaos * Lounge Art School, a mother who had lost her mind and body after a traffic accident killed herself. Before the encounter, the “bird motif with a ring” emerged and became the core of his expression, which appeared repeatedly in many works. In 2018, won the Toshiko Award at the 21st Taro Okamoto Contemporary Art Award. At the Aichi Triennale, we announced “Shining Children” based on the Kanuma crane accident.」
Kazuya Ozawa
弓指 寛治
Kanji Yumisashi
1986年 三重生まれ
2018年「第21回岡本太郎現代芸術賞展」、川崎市岡本太郎美術館、神奈川、岡本敏子賞受賞
2018年「四月の人魚」、ゲンロン カオス*ラウンジ 五反田アトリエ、東京
2019年「太郎は戦場へ行った」、岡本太郎記念館、東京
2019年「ダイナマイト・トラベラー」、シープスタジオ、東京
2019年「輝けるこども」、あいちトリエンナーレ、愛知
1986 Born in Mie
2018 “The 21st Exhibition of the Taro Okamoto Award for Contemporary Art”, Taro Okamoto Museum of Art, Kanagawa, Japan, Toshiko Okamoto Award
2018 “Mermaid in April”, Genron Chaos * Lounge Gotanda Atelier (Tokyo, Japan)
2019 “Taro went to the battle field”, Taro Okamoto Memorial Museum (Tokyo, Japan)
2019 “Dinamite Traveler”, SHEEP STUDIO (Tokyo, Japan)
2019 “Brilliant Children”, AICHI Triennae (Aichi, Japan)
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[Comment by Selector]
実際に起こった事件や事故をベースに、加害／被害、善／悪、生／死、etc…の関係を浮き彫りにするという作風は、まるで一本の映画を観たような余韻を感じられます。回廊型に展示する巧みな空間の使い方や、率先して行う本人の丁寧な解説も含め、重くのしかかる多義性のあるテーマに毎回邁進していく姿は、これから先、アートの可能性を広げてくれる予感を感じずにはいられません。第21回岡本太郎賞や昨年のあいちトリエンナーレにおいてもとても反響が高く、毎回の個展でのリサーチ力とスケールの大きな表現力で、目が離せない作家です。
Kanji Yumisashi bases his works on real cases and accidents. He casts light on the relationships between victimization and perpetration, good and evil, life and death, and so forth. After you look at a work by him you feel as though you have seen an entire movie. Yumisashi is amazingly expressive, but there are other ways that he is impressive. By exhibiting works in the shape of a cloister he skillfully uses space. He constantly fearlessly tackles the serious themes, which require you to consider ambiguities when thinking about them. Also, that he actively carefully explains his works shows his undaunted engagement. Yumisashi should continue to expand the possibility of art. His works were enthusiastically received at the 23rd Taro Okamoto Award for Contemporary Art and at the Aichi Triennale 2019. At every solo show of his we notice the quality of his research and his expressiveness. We need to keep our eyes on this artist.