A device for “Graffiti”
※Photos are for reference only.
Rooftop Area Artist
Untitled Drawing #2 (by a device for “Graffiti”)
Photo by Kaoru Yamada
※Photos are for reference only.
Orogeny
Photo by Ujin Matsuo
※Photos are for reference only.
Examples: Motif / Photogrammetry / Drawing
Photo by Rakutaro Ogiwara
※Photos are for reference only.
Artist Information
yang02
1984 Born in Kanagawa
2017 “The Great Ordinary” Borderless Art Museum NO-MA (Shiga,Japan)
2017 “Cargo Cult in KENPOKU” Umezu-kaikan/Kyu-Kowa (Ibaraki,Japan)
2017 “Artificial Intelligence Art and Aesthetics Exhibition” Okinawa Institute of Science and Technology Graduate University (OIST)（Okinawa,Japan）
2018 “20th DOMANI: The Art of Tomorrow” The National Art Center (Tokyo,Japan)
2018 “The Breathing of Maps” Yamaguchi Center for Arts and Media [YCAM] (Yamaguchi,Japan)
Uses a lot of digital media in my artwork and has been inspired a lot by the possibilities of expressions in public area. I always aims to externalize the subject of my creation by autonomous device or external factors. This embossed humans body and to ask and disorder where is the existence about principal of expression.
[Comment by Selector]
Graffiti, empty, just a representation – from it, human existence is pulled out quietly so that the lines stripped out are all that remain. There is no trace of the human, and the empty lines turn hollow. Their vacant souls, with nowhere to go, float in limbo and become an interface that connects humans and machines. Arid mechanical lines break no lacrimal glands – evoke no tears: there is neither sensitivity nor perfection, yet there is an unceasing call for hope. What is left is a belief in the coming of a new phase, the calm before the storm, the friendship between human and machine that involves no quarrel. A world where humanoid machines hold hands with mechanized humans might be nonsensical and crazy, but for that reason the lines that remain must be impressive.